The work that launched the picturesque movement and changed our ways of looking at landscape forever. A witty, elegant, opinionated pilgrimage of taste. Complete with 17 aquatints drawn by Gilpin as examples of perfected landscape. Introduced by Richard Humphreys, who was Curator of Programme Research at Tate Britain and lead curator of their A Picture of Britain exhibition.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque (many of which are also reissued in this series). Moving in 1777 to become vicar of Boldre, Hampshire, he was able to endow two schools there with income from his successful writings. He defined 'picturesque' as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. This two-volume work on forest trees, inspired by his New Forest home, was published in 1791. In his dedicatory address to his patron, William Mitford, Gilpin observes that his earlier experiences of the picturesque had been in mountainous or hilly areas; but in his walks and rides in the forest, he had become fascinated by the beauty of trees. Volume 1 discusses different forests and tree species, maintenance, felling and pollarding, and the aesthetic effects of light and shade.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque (many of which are also reissued in this series). Moving in 1777 to become vicar of Boldre, Hampshire, he was able to endow two schools there with income from his successful writings. He defined 'picturesque' as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. This two-volume work on forest trees, inspired by his New Forest home, was published in 1791. In his dedicatory address to his patron, William Mitford, Gilpin observes that his earlier experiences of the picturesque had been in mountainous or hilly areas; but in his walks and rides in the forest, he had become fascinated by the beauty of trees. Volume 2 describes the New Forest: specific picturesque locations, its ancient government and customs, and its famous wild deer and ponies.

A physician and nonconformist minister who was active in the north of England, Richard Gilpin (1625 1700) was a popular preacher, leading large congregations, yet he faced opposition from Quakers and was ultimately unable to unite various dissenting factions. Including details about his descendants, the present work sets his story within the wider context of the Gilpin family history. First published in 1879, it was written in 1791 by fellow clergyman William Gilpin (1724 1804), an enlightened schoolmaster and writer on aesthetics. As well as covering his ancestors, William appends here his own life story, discussing his career as a teacher and his literary calling. He touches on his journeys during summer vacations when, with notebook and sketching materials, he would explore picturesque features of the British landscape. His volumes of Observations, based on these travels, are also reissued in the Cambridge Library Collection."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre, Hampshire, where he remained for the rest of his life, he was able to endow two schools there with income from his successful writings. This knowledgeable appraisal of the print as an art form, and of its foremost practitioners, was first published anonymously in 1768 to positive reviews. It defines picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. Gilpin further developed and explored the concept in his volumes of Observations on various parts of Britain, which are also reissued in this series.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1798, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made, equipped with notebook and sketching materials, westwards from Wiltshire through Somerset and Devon to Cornwall, returning via Dorset, Hampshire and the Isle of Wight. He describes his impressions of famous landmarks such as Stonehenge, Glastonbury Abbey, the River Tamar and Carisbrooke Castle, and includes several evocative reproductions of his pen-and-wash drawings. The companion volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1804, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made in 1774, equipped with notebook and sketching materials, along England's south coast from Portsmouth to Dover and Canterbury via Brighton, Rye and Romney Marsh. He describes his impressions of famous landmarks such as the South Downs, Petworth House, Dover Castle and Canterbury Cathedral, and includes several reproductions of his pen-and-wash drawings. The companion volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1789, this two-volume work forms part of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made in 1776, equipped with notebook and sketching materials, exploring the landscape of the Scottish Highlands via northern England, Edinburgh and Glasgow. Reproductions of his pen-and-wash drawings are included. The companion volumes of Gilpin's Observations on other parts of Britain are also reissued in the Cambridge Library Collection. Volume 1 of the present work takes in such notable sites as Holyrood Palace, Stirling Castle, the Grampian Mountains and Glencoe."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1789, this two-volume work forms part of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made in 1776, equipped with notebook and sketching materials, exploring the landscape of the Scottish Highlands via northern England, Edinburgh and Glasgow. Reproductions of his pen-and-wash drawings are included. The companion volumes of Gilpin's Observations on other parts of Britain are also reissued in the Cambridge Library Collection. Volume 2 of the present work covers the journey from Loch Fyne to Keswick, taking in sites such as Loch Lomond and Dumbarton Rock."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1809, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces two journeys he made equipped with notebook and sketching materials: the first in 1769 across East Anglia, and the second in 1773 from Anglesey south-east to Shrewsbury. He describes his impression of notable sites such as Cambridge, Houghton Hall and its art collection, Beaumaris Castle and Snowdon, and includes reproductions of his pen-and-wash drawings. The companion volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1786, this two-volume work formed part of a successful series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made in 1772, equipped with notebook and sketching materials, in the Lake District. Continuing to describe his route and its highlights, Volume 2 includes discussion of parts of Yorkshire, Derbyshire, Leicestershire and Northamptonshire as well as the Lakes. The volume also features several reproductions of Gilpin's pen-and-wash drawings. Further exploring the concept of the picturesque, his volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1786, this two-volume work formed part of a successful series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made in 1772, equipped with notebook and sketching materials, in the Lake District. Describing his route from southern England, noting highlights along the way, Volume 1 includes discussion of Furness, Windermere and Keswick. The volume also features several reproductions of Gilpin's pen-and-wash drawings. Further exploring the concept of the picturesque, his volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection."

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724 1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1782, the present work was the first in a series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made, equipped with notebook and sketching materials, along the River Wye and into South Wales, visiting such notable sites as Tintern Abbey. As well as describing his route and its highlights, Gilpin includes several reproductions of his pen-and-wash drawings. Further developing and exploring the concept of the picturesque, his later volumes of Observations on various parts of Britain are also reissued in the Cambridge Library Collection."